Why I Built This
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Breedlove’s Quest for Sustainability | Why I Built This
Premier Guitar | 2 years ago
Fjord Fuzz Aims to Usher in a Psych Revolution—In More Ways Than One | Why I Built This
Premier Guitar | 2 years ago
Matt Eich on Why Mule Resonators Are Not a “Niche-y Blues Thing”
Premier Guitar | 2 years ago
Dylana Nova Scott on Designing “Emotional Translation Devices” | Why I Built This
Premier Guitar | 2 years ago
Verso’s Minimalist Sheet Metal Guitars Are Inspired by Rickenbackers and … Eames Chairs?
Premier Guitar | 2 years ago
David Rainger’s Pedals Are a Little Odd | Why I Built This
Premier Guitar | 2 years ago
A Beautifully Simple Vibrato Like No Other [Tuna Tone Instruments] | Why I Built This
Premier Guitar | 2 years ago
Whoa—This Is One of the Coolest Adjustable Neck Joints We’ve Ever Seen | Söderlund Guitars
Premier Guitar | 2 years ago
Why Mark Bartel Thinks Bill Frisell and Julian Lage Should Try His Amps
Premier Guitar | 2 years ago
Meet Vernon Reid’s & Alvin Youngblood Hart’s Favorite Sci-Fi-Influenced Luthier | Why I Built This
Premier Guitar | 2 years ago
Why I Built This: Atelier Rosenkrantz’s Rachel Rosenkrantz
Premier Guitar | 3 years ago
Why I Built This: M-Tone Guitars’ Matt Proctor
Premier Guitar | 3 years ago