Read the review: http://bit.ly/PRSMayerSilverSky
John Mayer is passionate about his early-’60s Fender Stratocasters. So it’s no shocker that his new PRS signature model is basically a vintage-flavored S-style filtered through Paul Reed Smith’s aesthetic. The result is a beautifully made instrument that authentically nails the feel and tones of a pre-CBS Strat, while benefiting from a number of modest yet meaningful refinements.
Now, there’s no ignoring the elephant on the headstock. The first thing you’re likely to notice is the juxtaposition of two familiar silhouettes: PRS’s pointy 3-and-3 headstock, and the iconic S-style body profile (in slightly modified form). For some this will be an inspired marriage of two great brands. Others will regard it as something Victor Frankenstein might have created had he studied lutherie instead of medicine. Feel free to debate this controversy amongst yourselves. But there’s nothing controversial about the sound and playability of this immaculately crafted guitar.
Silver Sky’s creators clearly invested much time studying the nuances of Kennedy-era Stratocasters. I’ve owned an original ’63 for 30-some years, so I was able to make side-by-side comparisons.
The two guitars aren’t sonic twins—though neither are any two Strats from that built-by-hand era. But Silver Sky more than holds it own against the older instrument. It’s got a similarly complex and airy high end—one of the key qualities that separates great vintage Fenders from so many latter-day Strats and pseudo-Strats.
Continue reading: http://bit.ly/PRSMayerSilverSky