The Triple Trouble is an homage to SRV (Double Trouble) consisting of 3 pedals, designed in conjunction with guitarist, Tommy Katona.
The SABBADIUS 80 Overdrive Tone, the Mr. White SPECIAL II and a Fuzz with silicon transistors that resembles the Texas Square Face by Cesar Diaz, these 3 pedals were modified according to his preferences.
▪︎ The Overdrive:
TS style, but with some modifications to give a warmer sound like the original and classic sound of the late 80s, its tone control is so versatile that it goes from the deepest basses to the more glassy highs.
▪︎ Mr. White SPECIAL II Booster:
Booster pedal specially designed to highlight guitar solos or simulate valve amps.
Stevie Ray Vaughan used to have a very warm sound, rich in mids and harmonic tones given by his guitar and the equipment he used such as the Dumble Steel String Singer, Fender Super Reverb, Fender Vibroverb, Fender Bassman, among others modified by César Díaz.
Jimi Hendrix used to play in the studio using a Fender Dual Showman, a Guild Pre Amp, a Fender Bassman and Marshalls with a lot of gain and he set all the knobs to "break" the loudspeakers and force the valves to give those classic pop tones. Jimi Hendrix. This allows you to get those sweet, emphasized response tones.`
▪︎ The Fuzz:
This is a modified Fuzz effect with silicon transistors inspired by César Díaz's Square Face Fuzz that has that kind of glassy sound and cleans perfectly by backing up the guitar's volume knob giving it that much-used sound called “GLASSY”.
It has an additional knob called the Wah-Wah Trick that allows you to use a wah wah pedal in front of a Fuzz like Jimi Hendrix did. If you're not using a wah wah, you can use this knob to tone down the Fuzz's "fry" and turn it into a really nice glassy hue saturation.
Guitar: Fender Custom Shop '68 Strat Relic, Senn Fullerton, Rock N Roll Relics Lightning
Amp: Fender Bassman
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