As this Rundown unravels, your inner armchair expert (especially once we get to the pedals) may scream “gluttony.” And you’re not wrong, but Whores creator Christian Lembach doesn’t care to be right.
Honestly, when people say ‘You don’t need all that stuff,’ my response is, ‘No shit! I want all this stuff,’” he proudly states. “Necessity is the dumbest argument in rock ’n’ roll. For me, it has nothing to do with utility—playing guitar and using all of this [gear] gives me pleasure [laughs].”
And with that spirited passion, he’s been Whores’ ringleader since 2010 when he formed the swaggering, strutting power trio with bassist Jack Schultz and drummer Travis Owen. The band has released a pair of blistering EPs (2011’s Ruiner and 2013’s Clean) that were followed by a refined, groovier, raucous sound for the full-length debut (2016’s Gold) that featured the current lineup of bassist Casey Maxwell and drummer Douglas Barrett.
Carrying on the brash, boisterous tradition from ’90s underground slobberknockers like the Melvins, Shellac, Swans, and Jesus Lizard, Whores churns out the loudest, most obnoxious (yet infectious) rock ’n’ roll you won’t hear on your dad’s airwaves. “When rock music gets too fancy, it gets ruined. I know I’m not the world’s greatest guitar player. I don’t want to be,” admits Lembach. “I just wanna play guitar, in a band—I just love fuzz pedals and big, loud music so much—nothing else on earth makes me feel like that.”
Recently, Whores entered producer/engineer and longtime collaborator Ryan Boesch’s Candor Recording to track their second album. During the process, Lembach virtually welcomed PG’s Chris Kies to go over his simplistic-but-intense guitarsenal. Plus, we admire his plentiful pedal paradise (rivaling your favorite guitar store’s inventory) that delivers both “flavor crystals” and “fire-breathing craziness,” and he shares the two-pedal combination that “is the reason this band exists.”