http://www.ibanez.com/products/effect_page16.php?year=2016&area_id=2&cat_id=6&series_id=155&effect_id=17
https://reverb.com/marketplace?query=ibanez+super+metal+mini+distortion&_aid=kingman
Ibanez should need no introduction. They've recently introduced three MINI pedals to their range. They are all great. The Super Metal does not cut corners on grunt but it doesn't overdo it either. I like that. It is voiced for all metal genres and there's enough tone-tailoring facilities onboard to make sure it will work for you and your stage or studio situation.
The Ibanez MINI pedals are amongst the toughest built I've ever come across. They are weighty and super-solid as well as being friendly to your pedalboards real estate demands. Don't be swayed by their size - they can take your dirty boots and then some.
Special thanks to Adam Goglis at Australis Australia and the crew at Ibanez Japan.
Today's tools:
Guitar: Jim Root Fender MIM Tele with SD JB and Jazz Pickups
Amp: Fender Super-Sonic (V30).
Extra effects: Ibanez Analog Delay MINI
Cables: Providence
Power Supply: Voodoo Lab MONDO
Mic: Shure SM57 (amp) Samson Airline77 (me)
Camera: Canon 60D (me) and Sony HDR CX190 (pedal)
Soundcard: AVID Mbox Pro 3
Computer: Apple iMac 27" i7 3.4 GHz 16 GB RAM
Software: Pro Tools 12.4, Waves CLA Guitars (slight comp over input track), Waves L3-16 Limiter (to keep levels in check at output), Apple Final Cut Pro X (video editing and Youtube compression).