There’s heavy music … and then there’s End. Formed in 2017, the band is vocalist Brendan Murphy (Counterparts), guitarist Will Putney (Fit for an Autopsy), guitarist Gregory Thomas (formerly of Shai Hulud and Misery Signals), bassist Jay Pepito (Reign Supreme), and drummer Billy Rymer (the Dillinger Escape Plan). The supergroup was created to push the extremes of hardcore music. And, as you’ll soon find out in this Rig Rundown, mission accomplished.
From day one, guitarists (and producers) Putney and Thomas strived to achieve a signature calling card. They wanted a monstrous, monolithic tone that bulldozed listeners. “It’s pretty aggressive [laughs],” concedes Putney. “When we started the band, Greg and I talked about finding an identifiable tone that was us and sticking with it.”
And the roots of their sledgehammering sound? “We’re very influenced by the Nordic metal of Entombed, and then, later, Rotten Sound, and American delineations Trap Them,” says Thomas. “A lot of those bands rely on the Boss HM-2 or clones to get their grinding distortion. We actually landed on the Way Huge Swollen Pickle fuzz because it’s more articulate for our galloping picking and offers more control.”
While the band does continue to challenge their consistently crushing sound, the Pickle always satisfies. “Every time we record something, we’ll try other pedals in place of the Swollen Pickle, but we always go back to it,” admits Putney. “It’s become the one. It’s us.”
Hours before End’s sold-out show at Nashville’s the End (appropriate coincidence), PG’s Perry Bean popped onstage to explore the (nearly) mirrored, merciless setups of guitarists-turned-producers Putney and Thomas. Thomas details how three octave pedals and two noise gates coexist in his setup. Putney pulls back the curtain on the development of his signature STL Tones Tonality package. And both prove that a bottom-heavy fuzz paired with prominent pitch-shifting into a 5150 is the way to part seas and elicit moshing madness.