For over 20 years and two handfuls of records, God Is an Astronaut have been exploring emotive, shape-shifting atmospheric instrumental anthems. Most instrumental post-rock bands follow a build-and-crash formula, whereas GIAA eschews those conventions in search of movement, melody, musical suspense.
Now PG has done some rig reprisals (Joe Bonamassa, Mastodon, Russian Circles, Jason Isbell & The 400 Unit, The Black Keys, Baroness, Gary Clark Jr, Primus, 311, Mr. Big, and others), but none of those compare to the overhaul God Is an Astronaut underwent during the COVID-19 quarantine. Every instrument, amp, and pedal (aside from a few preamps/DIs) are completely different than our previous 2016 Rundown. We can’t say any other setup has been rethought, restructured, and reformed to the degree that Torsten Kinsella (guitars), Jamie Dean (guitars/keyboards), and Niels Kinsella (bass) executed in the search for superior soundscapes.
Just before releasing their 10th album, 'Ghost Tapes #10'—a 7-song collection that seamlessly navigates from spacy and delicate to surly and destructive—the stirring post-rock powerhouse piled all their gear into Windmill Lane Recording Studios to showcase what was used on the new record and possibly heard on future tours.
Inside this episode, we find out why Torsten and Jamie swapped out humbucker-loaded semi-hollows for single-coil offsets and Gretsch solidbodies, while Niels explains the move from a P to a snappy short-scale Mustang. And they pour over all the 50+ pedals (including 10 Muff or Muff-inspired clones).
[This recording was supported through funding from the Department of Tourism, Culture, Arts, Gaeltacht, Sports and Media of Ireland as administered via the Music Industry Stimulus Package 2020 and Bad Apple Music. Video by Jaro Waldeck. Visit @DeptCultureIrl and @fmc_ireland.]