If you’ve thought to yourself, “this is the most vicious-sounding record I’ve heard,” chances are Kurt Ballou’s fingerprints are on it. Since officially starting in 1995 inside his parents’ garage and eventually opening GodCity Studio’s doors in 2003 (in “Witch City” Salem, MA, no less), Ballou has chiseled out granite tones for bands like Every Time I Die, High on Fire, Torche, Cave In, Old Man Gloom, American Nightmare, and Kvelertak. (“He brings a lot to the table, and he’s been pretty important in terms of how our sound got formed,” Kverlertak’s Vidar Landa in a PG interview on working with Ballou.) Oh, and we can forget his genre-shaping band Converge, that he’s played guitar in since 1990, co-produced since 2001’s hardcore pillar Jane Doe and been the console captain since 2006’s No Heroes.
As you’ll soon find out in this hour-plus episode, the dude is fascinated with every component of guitar tone. In between recording projects and creating new instruments and pedals, Ballou virtually welcome PG’s Chris Kies into GodCity Studio. In this Rig Rundown, Ballou details his own GodCity Instruments Craftsman Series 1 (something he calls a “simple rock ’n’ roll machine”), provides a crash course on mics (types and techniques), and shows off additional GCI pedal wares—and a few foreign specimens—that contort, mangle, and destroy any (in the prettiest way possible) guitar’s native tongue.
[Facing a mandatory shelter-in-place ordinance to limit the spread of COVID-19, PG enacted a hybrid approach to filming and producing Rig Rundowns. This is the 38th video in that format.