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You can thank Mike Beigel for nearly 45 years of quacking and bubbling guitar tones. Beigel’s Mu-Tron III, introduced in 1972, was the first envelope filter—a wah-like effect where the filtering is controlled not by a foot pedal, but by the player’s dynamics. For many, the Mu-Tron III, as heard on Jerry Garcia’s guitar, Bootsy’s bass, and Stevie Wonder’s clavinet, remains the definitive envelope filter.
Fans of the original effect are likely to love Wonderlove from Seattle’s 3Leaf audio. But it’s no mere clone: Wonderlove covers all the Mu-Tron III bases while adding many expressive extras, and it all fits inside a standard BB-sized stompbox that’s much smaller than the original’s size 15 footprint. An AC adapter (not included) is required; there’s no battery option.
Wonderlove’s control panel is tightly packed with six high-quality switches and seven ergonomic MXR-style knobs. Dual relay-style footswitches activate the effect and enable expression pedal control. (More on that in a bit.) Inside are plastic board-mounted jacks and a circuit board populated with modern surface-mount components.
Operation will be intuitive for Mu-Tron III vets. As on the original, you fine-tune the filter response via delicate manipulation of sensitivity and resonance controls. Tiny adjustments can trigger dramatic changes, so dialing in the perfect response for your pickups and playing style can require patience. Other familiar features are switches to select filter type, change the sweep direction, and toggle between low and high filter cutoff frequencies. (The low setting works great on bass.)
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