We've had many requests to see and hear our pedals along with acoustic guitars. So here you go! This video features our blueSky Reverberator (http://strymon.net/bluesky) along with two beautiful Martin acoustics, their OMC-28E and DC-18E. Performed by our friends Rogerio Peixoto and Matt Piper.
The philosophy behind our blueSky Reverberator is simple—take a ridiculously powerful SHARC DSP and dedicate it to doing one thing only: producing the most lush, majestic and stunning reverbs ever. Many hours and sleepless nights in the Strymon sound design labs were devoted to developing the complex reverb algorithms found inside blueSky. We squeezed every last drop of processing power available.
Whether you’re a classic spring reverb fan or a studio rack aficionado, you’ll find your mojo here. blueSky provides three different reverb types, each with three modes, for a total of nine completely unique reverb experiences. blueSky even delivers an extremely versatile plate reverb, a rarity for a stompbox pedal. A full pre-delay and damping section provide deep reverb tone shaping. Add the mod and shimmer modes and you’re in store for unending reverb bliss. Couple that with 24-bit 96kHz converters and 115dB typical signal to noise, blueSky is equally at home on top of a studio console as it is in front of a tube amp.
An Orchestra, acoustic-electric cutaway, the OMC-28E is crafted with solid Sitka spruce top, East Indian rosewood back and sides, black ebony fingerboard and bridge and a complementing black pickguard. Fishman® Aura® VT Enhance™ electronics make this the guitar that reminds you why you fell in love with us in the first place.
The warm tones of the genuine mahogany back and sides combined with a Sitka spruce top make this Dreadnought, acoustic-electric cutaway model truly sing. A solid black ebony fingerboard and bridge, tortoise color binding and matching pickguard adorn this model. Martin introduces the new, Fishman® Aura® VT Enhance™ electronics on this model. Aura® VT Enhance™ electronics uses the most advanced technology with discreet, soundhole-mounted controls for volume and tone preserving the pure and unique acoustic tone of each model. This is a classic Martin with contemporary playability, a modern take on the classic D-18 that was the instrument of choice for Hank Williams.