Envelopes β€” Synth Clips 4 – Daniel Fisher

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Sweetwater | 2 years ago

Watch every episode of Daniel Fisher's Synth Clips πŸ‘‰ https://www.youtube.com/watch?v=6uPBAj72pvw&list=PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf
Shop synthesizers at Sweetwater πŸ‘‰ https://www.sweetwater.com/c510--Synthesizers/?utm_source=YouTube&utm_medium=Referral&utm_campaign=otQ5lioCY_g

Daniel Fisher, Sweetwater's commissar of ADSR, tells you more than you ever expected about envelopes β€” what they are, how they're used, and some creative applications you can apply to your own synth patches.

After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! πŸ‘‰ https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=otQ5lioCY_g

0:00 – Intro
0:39 – Attack, Decay, Sustain, Release (ADSR)
1:44 – Moog Grandmother Envelope
2:23 – Envelope to Oscillator Pitch
3:32 – Using an Attenuator to Reduce Envelope Amount
3:47 – Inverting Attenuator (Attenuverter)
5:43 – A, D, S, R Exact Definitions
6:43 – How Release is a Little Different
7:49 – How to Set Sustain Level
8:59 – How Quick Can Be Long & Slow Can Be Short
9:48 – ASM Hydrasynth Envelopes
11:44 – Envelope Delay Parameter
12:34 – Envelope Hold Parameter
14:43 – Envelope Curves
19:12 – Arpeggiation with Envelope Curves
20:20 – Thanks for Watching!




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Intro to Synth Clips – Daniel Fisher

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Backing Up Your Synth Patches – Synth Clips 1 – Daniel Fisher

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Creating an INIT (Initialized) Patch – Synth Clips 2 – Daniel Fisher

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Choosing a Filter Type – Synth Clips 3 – Daniel Fisher

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Choosing a Waveform or Wave Sample – Synth Clips 5 – Daniel Fisher

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Assigning Envelopes to Amplitude – Synth Clips 6 – Daniel Fisher

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Adjusting Velocity to Filter Cutoff – Synth Clips 7 – Daniel Fisher

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Choosing LFO Shapes and Parameters – Synth Clips 8 – Daniel Fisher

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Naming Multiple Patches – Synth Clips 9 – Daniel Fisher

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Setting Pitch Bend Depths – Synth Clips 10 – Daniel Fisher

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Choosing Glide Types and Settings – Synth Clips 11 – Daniel Fisher

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Duplicating and Panning Layers – Synth Clips 12 – Daniel Fisher

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Beat Frequency vs. Fine Tuning – Synth Clips 13 – Daniel Fisher

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Wavetables and Wave Scanning – Synth Clips 14 – Daniel Fisher

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Looping Envelopes – Synth Clips 15 – Daniel Fisher

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Pulse Width Modulation – Synth Clips 16 – Daniel Fisher

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Oscillator Sync – Synth Clips 17 – Daniel Fisher

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Unison – Synth Clips 18 – Daniel Fisher

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Using Chord Mode – Synth Clips 19 – Daniel Fisher

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Sample & Hold and Random – Synth Clips 20 – Daniel Fisher

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Ring Modulation – Synth Clips 21 – Daniel Fisher

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Aftertouch (Channel & Polyphonic) – Synth Clips 22 – Daniel Fisher

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Choosing Oscillator Intervals – Synth Clips 23 – Daniel Fisher

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Complex Modulations – Synth Clips 24 – Daniel Fisher

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Fixed Filter Banks – Synth Clips 25 – Daniel Fisher

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The Three Note Secret – Synth Clips 26 – Daniel Fisher

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Harmonics – Synth Clips 27 – Daniel Fisher

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Using Phase Shifters – Synth Clips 28 – Daniel Fisher

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Knob Modes – Synth Clips 29 – Daniel Fisher

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FM Synthesis: A New Explanation – Synth Clips 30 –Daniel Fisher

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FM Synthesis: LFOs – Synth Clips 31 – Daniel Fisher

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FM Synthesis: Editing Existing Presets – Synth Clips 32 – Daniel Fisher

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