Enjoy Pro Tone with Zero Hassle Using BOSS’s New “Virtual Cable” Technology
Equipped with lightning-fast wireless technology newly developed by BOSS, the WL series delivers premium audio performance with ultra-low latency and rock-solid stability. Providing a plug-and-play experience with no aggravation or guesswork, the WL series makes it easy for players to bring wireless freedom to home, rehearsal, and small stage rigs.
The WL-60 system is a great fit for serious stage performers, bridging plug-and-play simplicity with fast user-guided control. The compact receiver is tailor-made for pedalboards, and features a large visual display and direct-access buttons to quickly scan and select the best wireless channel. Rounding out the system is a rugged bodypack transmitter, which is compatible with nearly any instrument and runs for up to 25 hours on regular alkaline batteries.
With the WL-50, it’s never been easier to bring wireless freedom to your pedalboard. Driven by new BOSS technology, the WL-50 delivers premium sound and a plug-and-play experience that eliminates all the hassles normally associated with wireless systems. The stompbox-sized receiver fits right alongside your other pedals, and includes a docking port for charging the transmitter and automatically setting the best wireless connection. There’s even a handy DC output, allowing you to distribute power to multiple pedals on your board.
Equipped with high-performance BOSS wireless technology that debuted in the Katana-Air wireless guitar amp, the WL-20 series delivers exceptional sound quality with wide dynamic range. Working in the 2.4 GHz frequency band, the optimum channel is set automatically to ensure rock-solid audio performance with absolutely no drop-outs. And with ultra-low latency of just 2.3 ms, you’ll always enjoy great playing feel with no lag whatsoever. Up to 14 BOSS wireless systems can be used simultaneously in one space, allowing multiple musicians to enjoy wireless freedom at the same time.
The WL-20L model is functionally identical to the WL-20, with the exception that it eliminates cable tone simulation. This makes it the best choice for instruments where cable capacitance has little or no effect on the tone, such as an acoustic/electric guitar with an onboard preamp, a guitar or bass with active pickups, or a line-level device like a keytar or Roland’s Aerophone digital wind instrument. The WL-20L also works great with passive pickups if you don’t need the subtle treble roll-off provided by cable tone simulation.