Full Rig Details: https://bit.ly/ParkwayDriveRR
Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTube
Parkway Drive, from Byron Bay, Australia, formed in 2003 with a firm grasp and appreciation for American hardcore music. They quickly put out a split EP with pit-provoking countrymen I Killed the Prom Queen before releasing their own EP, Don’t Close Your Eyes, in 2004. Those releases endeared them to American hardcore heavies touring internationally (Shadows Fall, Every Time I Die, Bleeding Through) and put them on many of their Aussie bills. They traveled to the States to record with metalcore poster boy Killswitch Engage’s Adam Dutkiewicz, who produced 2005’s Killing with a Smile and 2007’s Horizons.
They graduated their sound with a wider, melodic attack for their next releases, working alongside Joe Barresi (2010’s Deep Blue) and Matt Hyde (2012’s Atlas). 2015’s Ire saw the band lean more into the middle of the traditional metal lane, garnering the band No. 1 slots in both the ARIA and Billboard US Top Hard Rock Albums. 2018’s Reverence balanced between the band’s classic metalcore sound, iconic British metal à la Priest and Maiden, and the mass appeal of The Black Album, putting them back atop the ARIA chart and No. 2 on Billboard US Top Hard Rock Albums.
Those two records catapulted them to international headlining status, earning them top billing on the 30th anniversary of Wacken Open Air in 2019. The throwback power and continued evolution marks last year’s Darker Still further establishing them as global gainsters.
The only downside to their rise is that it still hasn’t eclipsed their collective first love. As guitarist Jeff Ling said of him and his bandmates during our Rig Rundown, “We’re all crazy surfers. If you put us on the spot and said, ‘Choose music or surfing,”…. Sorry fans, it’s over, the music is done, out the window. We’re all surfers that happen to play music [laughs].” Lucky for all of us, that ultimatum hasn’t been dealt, so let the good times roll (and rock).
Ahead of Parkway Drive’s sold-out show at Nashville’s Marathon Music Works, Ling saddles up to talk gear with PG’s Perry Bean. Ling details both his and bandmate Luke Kilpatrick’s signature ESPs (Luke was unable to hang due to suffering from surfer’s ear) and why the EMG 81 is the pinnacle of PWD’s guitar tone, and explains how downsizing their rigs with a Kemper leveled up their playing experience and connection with the crowd.